Bernstein: The 1953 American Decca Recordings
- 1
Symphony No. 3 in E-Flat, Op. 55 -"Eroica": I. Allegro con brio - 2 Symphony No. 3 in E-Flat, Op. 55 -"Eroica": II. Marcia Funebre (Adagio assai)
- 3 Symphony No. 3 in E-Flat, Op. 55 -"Eroica": III. Scherzo (Allegro vivace)
- 4 Symphony No. 3 in E-Flat, Op. 55 -"Eroica": IV. Finale (Allegro molto)
- 5 Musical Analysis (Bernstein On Beethoven's Symphony No. 3, Op. 55, "Eroica"): "Simplicity Itself." (1st Movement)
- 6 Musical Analysis (Bernstein On Beethoven's Symphony No. 3, Op. 55, "Eroica"): "I Always Feel This Gigantism" (2nd Movt.)
- 7 Musical Analysis (Bernstein On Beethoven's Symphony No. 3, Op. 55, "Eroica"): "We Have Just Been Examining." (3rd Movt.)
- 1 Musical Analysis (Bernstein On Beethoven's Symphony No. 3, Op. 55, "Eroica"): "All That We Have Said" (4th Movt.)
- 2 Musical Analysis (Bernstein On Beethoven's Symphony No. 3, Op. 55, "Eroica"): "The Study of the Eroica Is a Lifetime Work,."
- 3 Symphony No. 9 in E Minor, Op. 95 - "From the New World": I. Adagio - Allegro molto
- 4 Symphony No. 9 in E Minor, Op. 95 - "From the New World": II. Largo
- 5 Symphony No. 9 in E Minor, Op. 95 - "From the New World": III. Scherzo (Molto vivace)
- 6 Symphony No. 9 in E Minor, Op. 95 - "From the New World": IV. Allegro Con Fuoco
- 7 Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From the New World": 1. "Does This Music Sound Like the New World to You?" (3rd Movt., Trio II; 1st Movt.)
- 8 Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From the New World": 2. "We Come Now to the Second Movement, Which Has a Charming Melody, ." (2nd Movt.)
- 9 Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From the New World": 3. "The Third Movement Is a Marvel of Ingenuity and Deftness" (3rd Movt.)
- 10 Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From the New World": 4. "And Now the Last Movement. in General I Should Say That This Is the Most Slavic of All" (4th Movt.)
- 11 Musical Analysis: Bernstin On Dvorák, Symphony No. 9, Op. 95, "From the New World": 5. "The Final Claim of Those Who Argue for the New World Symphny As American Music, ." (4th Movt.,cont.)
- 1 Symphony No. 2 in C, Op. 61: I. Sostenuto assai - Un Poco Più Vivace - Allegro Ma Non Troppo - Con Fuoco
- 2 Symphony No. 2 in C, Op. 61: II. Scherzo (Allegro Vivace)
- 3 Symphony No. 2 in C, Op. 61: III. Adagio Espresssivo
- 4 Symphony No. 2 in C, Op. 61: IV. Allegro Molto Vivace
- 5 Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61: 1. "Robert Schumann Has Been Dead." (3rd Movement, Opening Theme)
- 6 Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61: 2. "To My Mind Schumann Follows in This Tradition"
- 7 Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61: 3. "Now Let's Look At the Symphony Itself" (1st Movement)
- 8 Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61: 4. "And So We Have Arrived At the Allegro Section." (1st Movt. Cont.)
- 9 Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61: 5. "In the Marvellous Scherzo That Follows." (2nd Movt)
- 10 Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61: 6. "But Perhaps the Greatest Beauty." (3rd Movt.)
- 11 Musical Analysis: Bernstein On Schumann, Symphony No. 2, Op. 61: 7. "Even in the Final Movement" (4th Movt.)
- 1 Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo
- 2 Symphony No. 4 in E Minor, Op. 98: II. Andante moderato
- 3 Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso - Poco meno presto - Tempo I
- 4 Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più Allegro
- 5 Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 1. "Brahms' Fourth Symphony in E Minor Is Today ." (4th Movt., Opening Theme)
- 6 Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 2. "Our Journey Begins Without Introduction."
- 7 Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 3. "Do You See Now What a Symphonic Theme Is?"
- 8 Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 4. "Now, Think of It - We Have So Far Only Had 44 Bars of Music"
- 9 Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 5. "Here Is That Second Theme"
- 10 Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 6. "This Brings Us to the Development Section Proper"
- 11 Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 9 8, First Movement: 7. and Here We Are Back Home, Ready for the Rehearing of the Exposition, ."
- 12 Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 8. "So We Arrive At the Coda"
- 13 Musical Analysis: Bernstein On Brahms, Symphony No. 4, Op. 98, First Movement: 9. "Well, We Have Had a Microscopic Look At Symphonic Method"
- 1 Symphony No. 6 in B Minor, Op. 74 -"Pathétique": I. Adagio - Allegro non troppo
- 2 Symphony No. 6 in B Minor, Op. 74 -"Pathétique": II. Allegro con grazia
- 3 Symphony No. 6 in B Minor, Op. 74 -"Pathétique": III. Allegro molto vivace
- 4 Symphony No. 6 in B Minor, Op. 74 -"Pathétique": IV. Finale (Adagio lamentoso - Andante)
- 5 Musical Analysis: Bernstein On Tchaikovsky, Symphony No. 6, Op. 74, "Pathetique": 1. "Now There Is a Melody, a Pure Orchestral Song." (1st Movt.)
- 6 Musical Analysis: Bernstein On Tchaikovsky, Symphony No. 6, Op. 74, "Pathetique": 2. "Now the Development Section Erupts." (1st Movt. Cont.)
- 7 Musical Analysis: Bernstein On Tchaikovsky, Symphony No. 6, Op. 74, "Pathetique": 3. "Now One Would Think That Tchaikovsky Had Really Exploited the Device of Scales" (2nd Movt)
- 8 Musical Analysis: Bernstein On Tchaikovsky, Symphony No. 6, Op. 74, "Pathetique": 4. "Jumping Now to the Famous Third Movement, the Great March." (3rd Movt.)
- 9 Musical Analysis: Bernstein On Tchaikovsky, Symphony No. 6, Op. 74, "Pathetique": 5. "Perhaps the Most Admirable Example of This Is to Be Found in the Wonderful Last Movement, ." (4th Movt.)
- 10 Musical Analysis: Bernstein On Tchaikovsky, Symphony No. 6, Op. 74, "Pathetique": 6. "Now I Don't Want to Give You the Impression That Scales Are the Only Unifying Force in This Work"
This Compilation ℗ 2004 Deutsche Grammophon GmbH, Berlin
