You don’t get a lot of warning for an artist like Young Thug. From his warped delivery to his radical, gender-fluid fashion sense, the Atlanta rapper (born Jeffery Lamar Williams in 1991) flies in the face of every unspoken rule for what hip-hop is, should, and could be. Starting with a prolific run of mixtapes in the early 2010s, Thug rose by pioneering a weird, ever-shifting flow somewhere between singing, rapping, mumbling, and squawking—pushing rap forward by pulling it apart. But the weirdest thing about what he does is that it works: Nearly every project Thug’s released since 2015—from the reggae-inflected u003ciu003eJEFFREYu003c/iu003e to the country-ish sides of u003ciu003eBeautiful Thugger Girlsu003c/iu003e—has cracked the mainstream, laying the groundwork for a new crop of fellow eccentrics like Lil Uzi Vert and Playboi Carti. In other words, Thug hasn’t adjusted to convention but brought convention to him. Genuinely experimental, he frames his process in modest terms: “I’m in the studio so much, I’ll just try stuff,” he told u003ciu003eThe FADERu003c/iu003e in 2013. “I just think and try, think and try.”