Leonard Bernstein - The Harvard Lectures
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Vol. I - Musical Phonology: First of All - 2 Vol. I - Musical Phonology: Perhaps the Principal Thing
- 3 Vol. I - Musical Phonology: Let Me Start
- 4 Vol. I - Musical Phonology: This is Not Just a Sentimental Anecdote
- 5 Vol. I - Musical Phonology: From this Time
- 6 Vol. I - Musical Phonology: But How do we Investigate
- 7 Vol. I - Musical Phonology: Now You Can See
- 8 Vol. I - Musical Phonology: Universality is a Big Word
- 9 Vol. I - Musical Phonology: Other Linguists
- 10 Vol. I - Musical Phonology: I Began by Imagining Myself
- 11 Vol. I - Musical Phonology: Well, Then I Thought
- 12 Vol. I - Musical Phonology: Let's Make a Simple Analogy
- 13 Vol. I - Musical Phonology: Maybe Even a Divine One
- 14 Vol. I - Musical Phonology: But Where do these Notes Come from?
- 15 Vol. I - Musical Phonology: This Acoustical Phenomenon
- 16 Vol. I - Musical Phonology: All These Upper Notes
- 17 Vol. I - Musical Phonology: The First Overtone
- 18 Vol. I - Musical Phonology: But More of that Later
- 19 Vol. I - Musical Phonology: But Let's Not Make the Mistake
- 20 Vol. I - Musical Phonology: And that's how the Tempered Clavichord
- 21 Vol. I - Musical Phonology: Now this is a Substantive Universal
- 1 Vol. I - Musical Phonology: But Let's be Careful
- 2 Vol. I - Musical Phonology: And there is Always that Blue Note
- 3 Vol. I - Musical Phonology: But Even these Twelve Tones
- 4 Vol. I - Musical Phonology: I Trust You Realize
- 5 Vol. I - Musical Phonology: And Again Comes a Great Leap
- 6 Vol. I - Musical Phonology: Now this Means
- 7 Vol. I - Musical Phonology: This Is Not to Say that There Were No Drastic Changes
- 8 Vol. I - Musical Phonology: But Meanwhile we are Still in the Golden Age
- 9 Vol. I - Musical Phonology: So, we're in the Midst of a Chromatic Adventure
- 10 Vol. I - Musical Phonology: And All by Those Progressions
- 11 Vol. I - Musical Phonology: Now, I Must Point Out
- 12 Vol. I - Musical Phonology: Do you Realize
- 13 Symphony No. 40 in G Minor, K. 550: I. Allegro molto
- 14 Symphony No. 40 in G Minor, K. 550: II. Andante
- 15 Symphony No. 40 in G Minor, K. 550: III. Menuetto, Allegretto
- 16 Symphony No. 40 in G Minor, K. 550: IV. Finale. Allegro assai
- 1 Vol. II - Musical Syntax: Every Once in a While
- 2 Vol. II - Musical Syntax: Last Week
- 3 Vol. II - Musical Syntax: Amen, says Noam Chomsky
- 4 Vol. II - Musical Syntax: I Suppose What Chomsky is Really After
- 5 Vol. II - Musical Syntax: So, Let's Pull Up Our Socks
- 6 Vol. II - Musical Syntax: All Right, Let's Try Another One
- 7 Vol. II - Musical Syntax: Why Am I Taking Your Time
- 8 Vol. II - Musical Syntax: Well Then
- 9 Vol. II - Musical Syntax: I Think it Follows
- 10 Vol. II - Musical Syntax: But First, What are These Principles
- 11 Vol. II - Musical Syntax: Tranformational Grammar
- 12 Vol. II - Musical Syntax: But Now Just Think of that Sentence
- 13 Vol. II - Musical Syntax: Since this is not a Linguistics Class
- 14 Vol. II - Musical Syntax: Take the Passive Transformation
- 15 Vol. II - Musical Syntax: Well, it hasn't Brought us There
- 16 Vol. II - Musical Syntax: Good - Now Just as Three Notes are Linked Together
- 17 Vol. II - Musical Syntax: Now let's Go Back
- 18 Vol. II - Musical Syntax: Now We Are Ready
- 19 Vol. II - Musical Syntax: Now I Wanna Take You
- 20 Vol. II - Musical Syntax: Well, Transformation, Deletion, Embedding, Pronominalization
- 21 Vol. II - Musical Syntax: I Am Sure I Don't Have to Trouble
- 22 Vol. II - Musical Syntax: Here I Go
- 23 Vol. II - Musical Syntax: I Have Asked Myself
- 24 Vol. II - Musical Syntax: I Became so Fascinated
- 1 Vol. II - Musical Syntax: Let's Take one Such Utterance
- 2 Vol. II - Musical Syntax: Now Imagine
- 3 Vol. II - Musical Syntax: Now Let's See
- 4 Vol. II - Musical Syntax: Mozart's G Minor Symphony
- 5 Vol. II - Musical Syntax: Now Our Job is
- 6 Vol. II - Musical Syntax: That Introductory Accompaniment
- 7 Vol. II - Musical Syntax: What Does this Three-Note Design Mean
- 8 Vol. II - Musical Syntax: The Reason I Pick Symmetry
- 9 Vol. II - Musical Syntax: Now From Here On
- 10 Vol. II - Musical Syntax: And Once Again, We Are Back
- 11 Vol. II - Musical Syntax: By Far the Chief Transformational Principle
- 12 Vol. II - Musical Syntax: You See, One of the Great Failings
- 13 Vol. II - Musical Syntax: Most People Hearing Mozart's Opening
- 14 Vol. II - Musical Syntax: So What Your Ask
- 15 Vol. II - Musical Syntax: And if You are Still not Convinced
- 16 Vol. II - Musical Syntax: These Ambiguities
- 17 Vol. II - Musical Syntax: For Instance, in this Same First Movement
- 18 Vol. II - Musical Syntax: So All these Syntactic Transformations of the Same Material
- 19 Vol. II - Musical Syntax: He Talks About this Sonnet
- 20 Vol. II - Musical Syntax: Because Now it's Time
- 21 Vol. II - Musical Syntax: But Now Let's Listen to
- 22 Vol. II - Musical Syntax: Listen to the Whole Exposition
- 23 Vol. II - Musical Syntax: Development Coming Up
- 24 Vol. II - Musical Syntax: The Circle of Fifths Again
- 25 Vol. II - Musical Syntax: And That Was all One Single Sentence
- 1 Vol. III - Musical Semantics: The Other Day
- 2 Vol. III - Musical Semantics: The First Would Show Us One Meaning
- 3 Vol. III - Musical Semantics: Think of this Famous Passage
- 4 Vol. III - Musical Semantics: A Linguist Would Say
- 5 Vol. III - Musical Semantics: Well, I Replied, Chomsky Would Say
- 6 Vol. III - Musical Semantics: Of Course, That Last Metaphorical Leap
- 7 Vol. III - Musical Semantics: Terrific, Said My Blonde Inquisitor
- 8 Vol. III - Musical Semantics: In Fact, When You Think of the Number
- 9 Vol. III - Musical Semantics: All Right, First Let's Look Briefly
- 10 Vol. III - Musical Semantics: Playing, That's the Word
- 11 Vol. III - Musical Semantics: But Does This Stravinskian Game Concept
- 12 Vol. III - Musical Semantics: There Are Three Specific Ways
- 13 Vol. III - Musical Semantics: Now, Having Defined My Usages of Metaphor
- 14 Vol. III - Musical Semantics: And Here We Are in Trouble
- 15 Vol. III - Musical Semantics: Are We Feeling What Beethoven Supposedly Felt
- 16 Vol. III - Musical Semantics: We Will Never Know
- 17 Vol. III - Musical Semantics: Now, If We Accept This General Idea
- 18 Vol. III - Musical Semantics: In Our Last Lecture
- 19 Vol. III - Musical Semantics: We All Recognize Antithesis
- 20 Vol. III - Musical Semantics: It Can and It Does
- 21 Vol. III - Musical Semantics: And Again, as in the Poem
- 22 Vol. III - Musical Semantics: In Fact, it Has Been Authoritatively Suggested
- 23 Vol. III - Musical Semantics: We Can Expand the Idea
- 24 Vol. III - Musical Semantics: What Do You Suppose
- 25 Vol. III - Musical Semantics: What' Seriously Striking
- 26 Vol. III - Musical Semantics: So Why the Pastorale on this Lecture
- 27 Vol. III - Musical Semantics: Let's Begin at the Beginning
- 28 Vol. III - Musical Semantics: But What of the More Obvious Melodic Material
- 29 Vol. III - Musical Semantics: But to Develop How
- 30 Vol. III - Musical Semantics: Now We Have an Insight
- 31 Vol. III - Musical Semantics: But Wait
- 32 Vol. III - Musical Semantics: But Why Were Just Those Two Notes Added
- 1 Vol. III - Musical Semantics: The Metaphor Arises
- 2 Vol. III - Musical Semantics: But in the Ensuing Four Bars
- 3 Vol. III - Musical Semantics: But That's Not the Main Event
- 4 Vol. III - Musical Semantics: Well, That's the Beginning
- 5 Vol. III - Musical Semantics: That's One of the Questions
- 6 Vol. III - Musical Semantics: This Interference of the Two Frequencies
- 7 Vol. III - Musical Semantics: But What Are We to Say
- 8 Vol. III - Musical Semantics: It Is To Be Found
- 9 Vol. III - Musical Semantics: Now That's One Way of Looking
- 10 Vol. III - Musical Semantics: At This Point
- 11 Vol. III - Musical Semantics: Even if You Can Succeed
- 12 Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
- 13 Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene am Bach. Andante molto moto
- 14 Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro
- 15 Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro
- 16 Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto
- 1 Vol. IV - The Delights and Dangers of Ambiguity: When I First Wrote Down the Title
- 2 Vol. IV - The Delights and Dangers of Ambiguity: Part of the Danger
- 3 Vol. IV - The Delights and Dangers of Ambiguity: The Idea of Ambiguity
- 4 Vol. IV - The Delights and Dangers of Ambiguity: Similarly, in Our Second Lecture
- 5 Vol. IV - The Delights and Dangers of Ambiguity: Then What's the Magic Secret
- 6 Vol. IV - The Delights and Dangers of Ambiguity: Enough of Ambiguity
- 7 Vol. IV - The Delights and Dangers of Ambiguity: The Irony of All This
- 8 Vol. IV - The Delights and Dangers of Ambiguity: But, Mind You
- 9 Vol. IV - The Delights and Dangers of Ambiguity: Where Music Was Concerned
- 10 Vol. IV - The Delights and Dangers of Ambiguity: Only Think Of
- 11 Vol. IV - The Delights and Dangers of Ambiguity: And Chopin Well We Can't Ignore Chopin
- 12 Vol. IV - The Delights and Dangers of Ambiguity: And Then, in the Same Little Mazurka
- 13 Vol. IV - The Delights and Dangers of Ambiguity: Foolish Questions
- 14 Vol. IV - The Delights and Dangers of Ambiguity: Let Me Try to Read You
- 15 Vol. IV - The Delights and Dangers of Ambiguity: Listen To This
- 16 Vol. IV - The Delights and Dangers of Ambiguity: They Began to Intermingle
- 17 Vol. IV - The Delights and Dangers of Ambiguity: The Pivotal Point
- 18 Vol. IV - The Delights and Dangers of Ambiguity: So There Is a Dramatic Change
- 19 Vol. IV - The Delights and Dangers of Ambiguity: So it is After All Not So Surprising
- 20 Vol. IV - The Delights and Dangers of Ambiguity: Now If You Noticed
- 21 Vol. IV - The Delights and Dangers of Ambiguity: You See, The Music Is Trying Hard
- 22 Vol. IV - The Delights and Dangers of Ambiguity: So That Instant in Musical Time
- 23 Vol. IV - The Delights and Dangers of Ambiguity: Now Romeo Is All Stirred Up
- 24 Roméo and Juliet, A Dramatic Symphony, Op. 17: 1. Roméo Seul: Tristesse - Bruits de Concerts et de Bal - Grand Fête chez Capulet: Andante malinconico e sostenuto
- 25 Roméo and Juliet, A Dramatic Symphony, Op. 17: Allegro - Larghetto espressivo - (Instrumental)
- 26 Roméo and Juliet, A Dramatic Symphony, Op. 17: Allegro - (Instrumental)
- 27 Roméo and Juliet, A Dramatic Symphony, Op. 17: Réunion des duex Themes, du Larghetto et de l'Allegro (Instrumental)
- 28 Vol. IV - The Delights and Dangers of Ambiguity: What a Piece
- 29 Vol. IV - The Delights and Dangers of Ambiguity: Quite Unconsciously Borrowed
- 30 Vol. IV - The Delights and Dangers of Ambiguity: My Purpose In All This
- 31 Vol. IV - The Delights and Dangers of Ambiguity: Is It, Says Wagner
- 1 Vol. IV - The Delights and Dangers of Ambiguity: Every Diminished Seventh Chord
- 2 Vol. IV - The Delights and Dangers of Ambiguity: Now the Remarkable Thing Is
- 3 Vol. IV - The Delights and Dangers of Ambiguity: And This Is What Gives Tristan
- 4 Vol. IV - The Delights and Dangers of Ambiguity: Prelude and Love-Death (From "Tristan and Isolde")
- 5 Vol. IV - The Delights and Dangers of Ambiguity: That May be the Slowest Performance
- 6 Vol. IV - The Delights and Dangers of Ambiguity: But Ultimately
- 7 Vol. IV - The Delights and Dangers of Ambiguity: Poetry Has Begun to Show
- 8 Vol. IV - The Delights and Dangers of Ambiguity: And When Debussy
- 9 Vol. IV - The Delights and Dangers of Ambiguity: It's Lovely, This Dreaming
- 10 Vol. IV - The Delights and Dangers of Ambiguity: For Example, Do You Remember
- 11 Vol. IV - The Delights and Dangers of Ambiguity: In Fact, The Ending of this Piece
- 12 Vol. IV - The Delights and Dangers of Ambiguity: Let Me Show You Briefly
- 13 Vol. IV - The Delights and Dangers of Ambiguity: This New Episode that Proceeds
- 14 Vol. IV - The Delights and Dangers of Ambiguity: For Instance, Hardly Have We Had Time
- 15 Vol. IV - The Delights and Dangers of Ambiguity: Because the Scale
- 16 Vol. IV - The Delights and Dangers of Ambiguity: It's Almost Exactly What Happens
- 17 Vol. IV - The Delights and Dangers of Ambiguity: Literally Translated
- 18 Vol. IV - The Delights and Dangers of Ambiguity: But Notice, Too, that the Example
- 19 Vol. IV - The Delights and Dangers of Ambiguity: Both Works Have Definitive Beginnings
- 20 Vol. IV - The Delights and Dangers of Ambiguity: Listen As I Play
- 21 Prélude à l'après-midi d'un faune, L. 86
- 22 Vol. IV - The Delights and Dangers of Ambiguity: Some Crazy Modern Music
- 1 Vol. V - The Twentieth Century Crisis: Our Lecture Tonight
- 2 Vol. V - The Twentieth Century Crisis: Rhapsodie espagnole, M. 54: IV. Feria
- 3 Vol. V - The Twentieth Century Crisis: What a Way to Enter the Twentieth Century
- 4 Vol. V - The Twentieth Century Crisis: But 1908, if the Truth to be Told
- 5 Vol. V - The Twentieth Century Crisis: These Troubling Presentiments
- 6 Vol. V - The Twentieth Century Crisis: So, now in 1908
- 7 Vol. V - The Twentieth Century Crisis: This Is Atonality
- 8 Vol. V - The Twentieth Century Crisis: A Charming Idea
- 9 Vol. V - The Twentieth Century Crisis: The Unanswered Question
- 10 Vol. V - The Twentieth Century Crisis: I that Luminous Final Triad
- 11 Vol. V - The Twentieth Century Crisis: I Have Recently Been Reading
- 12 Vol. V - The Twentieth Century Crisis: We Have Already Referred to Some of Those
- 13 Vol. V - The Twentieth Century Crisis: In Any Case
- 14 Vol. V - The Twentieth Century Crisis: But For All These Reasons
- 15 Vol. V - The Twentieth Century Crisis: Son of Tristan
- 16 Vol. V - The Twentieth Century Crisis: Now You Look at Those First Two Bars
- 17 Vol. V - The Twentieth Century Crisis: Of Course, There Are Lots
- 18 Vol. V - The Twentieth Century Crisis: It's as Though a New Covenant
- 19 Vol. V - The Twentieth Century Crisis: Trouble is, That the New Musical Rules
- 20 Vol. V - The Twentieth Century Crisis: The Kind of Tonal Feeling
- 21 Vol. V - The Twentieth Century Crisis: Of Course, There Are Those Who Say
- 22 Vol. V - The Twentieth Century Crisis: It Seems Somehow Inevitable
- 23 Vol. V - The Twentieth Century Crisis: Is There Possibly the Beginning
- 24 Vol. V - The Twentieth Century Crisis: And What About Beethoven's Nineth
- 25 Vol. V - The Twentieth Century Crisis: These Are Some of the Problems
- 1 Vol. V - The Twentieth Century Crisis: Now Let's Jump Ahead
- 2 Vol. V - The Twentieth Century Crisis: Let's Put it Another Way
- 3 Vol. V - The Twentieth Century Crisis: First of All, Berg Chose a Tone Row
- 4 Vol. V - The Twentieth Century Crisis: So, All in All
- 5 Vol. V - The Twentieth Century Crisis: Berg: Violin Concerto (Excerpt)
- 6 Vol. V - The Twentieth Century Crisis: Fantastic
- 7 Vol. V - The Twentieth Century Crisis: It Comes at a Point
- 8 Vol. V - The Twentieth Century Crisis: Berg: Violin Concerto: II. Allegro, ma sempre rubato -
- 9 Vol. V - The Twentieth Century Crisis: If This Particularly Demanding Lecture
- 10 Vol. V - The Twentieth Century Crisis: If You Really Have Been Thinking
- 11 Vol. V - The Twentieth Century Crisis: But While Restudying this Work
- 12 Vol. V - The Twentieth Century Crisis: The Twentieth Century
- 13 Vol. V - The Twentieth Century Crisis: What Do You Do If You Know All This
- 14 Vol. V - The Twentieth Century Crisis: It's Very Strange, How the Pieces
- 15 Vol. V - The Twentieth Century Crisis: What Exactly Was This News
- 16 Vol. V - The Twentieth Century Crisis: We Emerge From a Cinema
- 17 Vol. V - The Twentieth Century Crisis: As You Listen to This Finale
- 18 Vol. V - The Twentieth Century Crisis: This is Mahler
- 19 Symphony No. 9 in D Major: IV. Adagio. Sehr langsam und noch zurückhaltend
- 1 Vol. VI - The Poetry of Earth: I Know What Your Are Thinking
- 2 Vol. VI - The Poetry of Earth: What About This
- 3 Vol. VI - The Poetry of Earth: I Am Plaguing You With this Question
- 4 Vol. VI - The Poetry of Earth: Of Course What he is Really Talking About
- 5 Vol. VI - The Poetry of Earth: But It Was Precisely
- 6 Vol. VI - The Poetry of Earth: Now I Have Just Used Two Words
- 7 Vol. VI - The Poetry of Earth: In Fact, It Was Satie, Picasso, And Cocteau
- 8 Vol. VI - The Poetry of Earth: But Our Scene
- 9 Vol. VI - The Poetry of Earth: Even in the Most
- 10 Vol. VI - The Poetry of Earth: For Our Purposes
- 11 Vol. VI - The Poetry of Earth: Musicologists Are Always Pointing
- 12 Vol. VI - The Poetry of Earth: But Bitonality Does Not Only Serve
- 13 Vol. VI - The Poetry of Earth: Of Course, Polytonality Can and Does
- 14 Vol. VI - The Poetry of Earth: Now What's Going On
- 15 Vol. VI - The Poetry of Earth: And While You Are in That Record Shop
- 16 Vol. VI - The Poetry of Earth: Of Course, These Asymmetries
- 17 Vol. VI - The Poetry of Earth: Brutal It May Be
- 18 Vol. VI - The Poetry of Earth: Now, Remember
- 19 Vol. VI - The Poetry of Earth: These Are Two Sets
- 20 Vol. VI - The Poetry of Earth: Just Cast an Eye
- 21 Vol. VI - The Poetry of Earth: Now That Page of Music
- 22 Vol. VI - The Poetry of Earth: But the Most Striking Semantic Effect
- 23 Vol. VI - The Poetry of Earth: This New Aesthetic Relaxation
- 24 Vol. VI - The Poetry of Earth: Even Some Germans
- 25 Vol. VI - The Poetry of Earth: You Can See How the Transformation
- 26 Vol. VI - The Poetry of Earth: Chomsky Himself Gives a Classic Example
- 27 Vol. VI - The Poetry of Earth: Very Important, The Ironic Element
- 28 Vol. VI - The Poetry of Earth: So, It Would Seem
- 29 Vol. VI - The Poetry of Earth: But This Neoclassic Approach
- 30 Vol. VI - The Poetry of Earth: I Think This Is Again a Moment
- 31 Vol. VI - The Poetry of Earth: It's the Essence
- 32 Vol. VI - The Poetry of Earth: If This Poem Were Rewritten
- 1 Vol. VI - The Poetry of Earth: Why Have I Digressed
- 2 Vol. VI - The Poetry of Earth: Now Can You Understand
- 3 Vol. VI - The Poetry of Earth: Untermeyer Called This
- 4 Vol. VI - The Poetry of Earth: Of Course, With the Waste Land
- 5 Vol. VI - The Poetry of Earth: But the Thing of It All Is
- 6 Vol. VI - The Poetry of Earth: We Are Going to Hear
- 7 Vol. VI - The Poetry of Earth: One Has Only Learnt to Get
- 8 Vol. VI - The Poetry of Earth: Now I propose Only Because
- 9 Vol. VI - The Poetry of Earth: This Union Is Possible Only Because
- 10 Vol. VI - The Poetry of Earth: But What Has All This to Do With Stravinsky
- 11 Vol. VI - The Poetry of Earth: And This Is the Essence
- 12 Vol. VI - The Poetry of Earth: Look: Here Is a Joke
- 13 Vol. VI - The Poetry of Earth: Chilling, Shattering, Neoclassic
- 14 Vol. VI - The Poetry of Earth: Stravinsky's Own Aesthetic Pronouncements
- 15 Vol. VI - The Poetry of Earth: But of Course He Was Forced
- 16 Vol. VI - The Poetry of Earth: And Now We Are Finally Ready
- 17 Vol. VI - The Poetry of Earth: And Then Mozart Appears
- 18 Vol. VI - The Poetry of Earth: But This Eclecticism Knows No Bounds
- 19 Vol. VI - The Poetry of Earth: Now All This I Had Planned to Tell You
- 20 Vol. VI - The Poetry of Earth: You Think That's Funny
- 21 Vol. VI - The Poetry of Earth: How About That
- 22 Vol. VI - The Poetry of Earth: Then Came the Answer
- 23 Vol. VI - The Poetry of Earth: But Why This Particular Misalliance
- 24 Vol. VI - The Poetry of Earth: My Words Are Poor
- 1 Stravinsky: Oedipus Rex: Prologue: "Your Are About to Hear a Latin Version of Oedipus the King
- 2 Stravinsky: Oedipus Rex: Act I: "Caedit nos pestis"
- 3 Stravinsky: Oedipus Rex: Act I: "Liberi vos liberabo"
- 4 Stravinsky: Oedipus Rex: Act I: "This is Creon, Brother-In-Law of Oedipus
- 5 Stravinsky: Oedipus Rex: Act I: "Respondit Deus"
- 6 Stravinsky: Oedipus Rex: Act I:" Oedipus Questions the Fountain of Truth
- 7 Stravinsky: Oedipus Rex: Act I: "Dicere non possum"
- 8 Stravinsky: Oedipus Rex: Act I: "Gloria!"
- 9 Stravinsky: Oedipus Rex: Act II: The Dispute of the Princess Attracts the Attention of Jocasta
- 10 Stravinsky: Oedipus Rex: Act II: "Nonn'erubescite, reges"
- 11 Stravinsky: Oedipus Rex: Act II: "Ne Probentur Oracula"
- 12 Stravinsky: Oedipus Rex: Act II: "Ego senem cecici"
- 13 Stravinsky: Oedipus Rex: Act II: The Witness to the Murder Comes Out of the Shadow
- 14 Stravinsky: Oedipus Rex: Act II "Adest omniscius pastor"
- 15 Stravinsky: Oedipus Rex: Act II: "Nonne monstru rescituri"
- 16 Stravinsky: Oedipus Rex: Act II: And Now You Are Going to Hear That Famous Monolog
- 17 Stravinsky: Oedipus Rex: Act II: "Divum locastae caput mortuum!"
- 18 Stravinsky: Oedipus Rex: Act II: "Ecce! Regem Oedipoda"
- 19 Stravinsky: Oedipus Rex: Va-le-di-co
- 20 Stravinsky: Oedipus Rex: During that Decade
- 21 Stravinsky: Oedipus Rex: It Was At This Point That I Wrote
- 22 Stravinsky: Oedipus Rex: What Interests Me About It
- 23 Stravinsky: Oedipus Rex: Is it Possible
- 24 Stravinsky: Oedipus Rex: It's As Tough in the Period
- 25 Stravinsky: Oedipus Rex: And I Believe
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