There sat the frog looking at his face in the water
When the frog started singing
Along came the fly and made him hush
The fly to the frog
There sat the frog looking at his face in the wáter
When the fly wanted to sing
Along came the spider and made him hush
The spider to the fly, the fly to the frog
There sat the frog looking at his face in the water
When the spider wanted to sing
Along came the tapir and made him hush
The tapir to the spider
The spider to the fly, the fly to the frog
There sat the frog looking at his face in the wáter
When the tapir wanted to sing
Along came the iguana and made him hush
The iguana to the tapir
The tapir to the spider
The spider to the fly, the fly to the frog
There sat the frog looking at his face in the wáter
When the iguana wanted to sing
Along came the armadillo and made him hush
The armadillo to the iguana
The iguana to the tapir
The tapir to the spider
The spider to the fly, the fly to the frog
There sat the frog looking at his face in the wáter
When the armadillo wanted to sing
Along came the jaguar and made him hush
The jaguar to the armadillo
The armadillo to the iguana
The iguana to the tapir
The tapir to the spider
The spider to the fly, the fly to the frog
There sat the frog looking at his face in the wáter
And when they all wanted to sing
Along came the flee and made them all hush
Martirio llevó el pasado domingo 12 de abril al Auditori de Barcelona, en el marco del Ciclo de canción de autor BarnaSants, su espectáculo Al sur del tango, una propuesta que enlaza las raíces compartidas entre Argentina y España desde una interpretación que es tanto voz como gesto y emoción.
La cantante, flautista y compositora catalana Magalí Sare presenta Descasada, un trabajo entre la investigación antropológica y la libertad musical. Sare se sitúa en una escena de mujeres altamente formadas que han redefinido la canción de autor contemporánea.