Clemente Soto Velez with Juan Antonio Corretjer and Pedro Albizu Campos (L to R) during their detention in 1936.
Soto Vélez became a militant member of the Nationalist Party which sought Puerto Rico's independence from U.S. colonial rule and served as Party organizer in the city of Caguas. Soto Vélez also contributed to "El Nacionalista", the political news organ of the Nationalist Party. He took part in an attempt to take over the capital building in San Juan in 1932, and in 1934 was arrested and jailed for helping to instigate and participating in a sugar workers' strike.
In 1935, four Nationalists were killed by the police under the command of Colonel E. Francis Riggs. The incident became known as the Rio Piedras massacre. The following year in 1936, two members of the Cadets of the Republic, the Nationalist youth organization, Hirám Rosado and Elías Beauchamp assassinated Colonel Riggs. They were arrested and executed, without a trial, at police headquarters in San Juan.
On April 3, 1936, a Federal Grand Jury submitted accusations against Soto Vélez, Pedro Albizu Campos, Juan Antonio Corretjer
, Luis F. Velázquez and the following members of the Cadets of the Republic: Erasmo Velázquez, Julio H. Velázquez, Rafael Ortiz Pacheco, Juan Gallardo Santiago, and Pablo Rosado Ortiz. They were charged with sedition and other violations of Title 18 of the United States Code. Title 18 of the United States Code is the criminal and penal code of the federal government of the United States. It deals with federal crimes and criminal procedure. As evidence, the prosecution referred to the creation, organization and the activities of the cadets, which the government made reference to as the "Liberting Army of Puerto Rico". The government prosecutors stated that the military tactics which the cadets were taught was for the sole purpose of overthrowing the Government of the U.S. A jury composed of seven Puerto Ricans and five Americans ended with a hung jury. Judge Robert A. Cooper called for a new jury, this time composed of ten Americans and two Puerto Ricans, and a guilty verdict was reached.
Soto Vélez was sentenced to seven years in prison which he served at the United States Federal Penitentiary at Atlanta, Georgia. In 1937, while in prison, his friends published his first book, Escalio, a philosophical essay. In 1940, he was pardoned and returned to Puerto Rico only to be arrested once more for violating the conditions of his release. He was sent to prison at Lewisburg, Pennsylvania where he met Earl Browder, Secretary General of the Communist Party of the U.S.A. In 1942, after serving two years in prison, Soto Vélez was released and not allowed to return to Puerto Rico.
Soto Vélez went to live in New York City and in 1943, joined the Communist Party. He was involved with Vito Marcantonio's political campaigns and the American Labor Party. He worked for the Spanish Grocer's Association, Inc., and later founded Puerto Rican Merchants Association, Inc. which he directed through the 1970s. Among the cultural organizations which he founded were the "Club Cultural del Bronx" (Bronx Cultural Club) and Casa Borinquen. He also served as the president of the Círculo de Escritores y Poetas Iberoamericanos (Circle of Ibero American Poets and Writers) and was a member of the Instituto de Puerto Rico en Nueva York (Puerto Rican Institute of New York). In 1950, he founded a magazine titled La Voz de Puerto Rico en Estados Unidos (The Voice of Puerto Rico in the United States).
Written works by and about Clemente Soto Vélez
The following a selection of Soto Vélez's written work
*"Clemente Soto Vélez and Amanda Vélez Papers" at the at Hunter College of the City University of New York (CUNY):
- "La Tierra Prometida" by Clemente Soto Vélez (San Juan: Instituto de Cultura Puertorriqueña, 1979)
- "Obra poética" by Clemente Soto Vélez (San Juan, Puerto Rico: Instituto de Cultura Puertorriqueña, 1989)
- "Simposio Clemente Soto Vélez" (San Juan, Puerto Rico: Instituto de Cultura Puertorriqueña; 1. ed edition, 1990)
- "Kaligrafiando: Conversaciones con Clemente Soto Vélez" by Marithelma Costa and Alvin Joaquin Figueroa (Rio Piedras, Puerto Rico: La Editorial Universidad de Puerto Rico; 1. ed edition, January 1990)
- "The Blood that Keeps Singing" (a bilingual edition translated into Spanish by Martín Espada & Camilo Pérez-Bustillo) by Clemente Soto Vélez (Willimantic, CT: Curbstone Press, 2001)
Soto Vélez met Amanda Andrea Vélez, who became his wife. His wife was a political activist in Argentina and was a member of the Socialist Party of Argentina. She was involved in Soto Vélez's work and inspired him to write, while she promoted his work by organizing events on his behalf. In the 1980s, the couple moved to Puerto Rico. Soto Vélez died in Puerto Rico on April 15, 1993.
In 1995 on the Lower East Side of Manhattan (also known as Loisaida), author Edgardo Vega Yunqué and actor-director Nelson Landrieu founded the Clemente Soto Vélez Cultural and Educational Center (also known as the "CSV") to continue Clemente's legacy.
El contenido de este artículo ha sido extraído de la Wikipedia en inglés bajo licencia Creative Commons.
LO + EN CANCIONEROS.COM
Más nuevoMás leídoMás votado
El trovador mexicano Alejandro Filio acaba de lanzar su último disco Trova azul, un disco a guitarras y voz que hoy nos cuenta canción a canción.
HOY EN PORTADA
Entrevista a Litto Nebbia (I)
Litto Nebbia actuó el pasado 18 de mayo en Barcelona dentro de una pequeña gira española de cuatro conciertos en pequeños locales. Aprovechamos la ocasión para hablar con él poco antes de cumplir los 70. En esta primera entrega de la entrevista, que publicamos en dos partes, hablamos con detalle de seis de los siete discos que ha publicado en estos últimos tres años. Seis obras de géneros muy diferentes que demuestran, una vez más, que Nebbia trasciende los límites del Rock y del relato juvenil que se le adjudicó en sus inicios. En la segunda entrega, que publicaremos próximamente, hablaremos de su faceta como productor, de su nueva autobiografía Mi banda sonora y de lo cerca y lejos que está a la vez entre sí todo el mundo hispánico de la música.