Fecha de nacimiento:
14 de febrero de 1896
Fecha de fallecimiento:
30 de mayo de 1961

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Werner Richard Heymann
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de Werner Richard Heymann
Werner Richard Heymann (14 February 1896 – 30 May 1961), also known as Werner R. Heymann was a German-Jewish composer active in Germany and in Hollywood.

Early life and education

He was the younger of 4 boys born to a corn merchant. His older brother Walther Heymann who died young wrote expressionistic poems for the magazine Der Sturm published by Herwalth Walden. Werner was a child prodigy, starting to sit at the piano at age 3, receiving violin lessons at age 5, and writing his own compositions at age 8.

He became a member of the Philharmonic at age 12 and presented his first work for orchestra at age 16. His Spring Nocturne For Orchestra was based on one of his brother's texts. Although he had served in the Prussian Army during World War I, he later became involved with the postwar radical politics and pacifism of the Berlin scene. Moving to composing for the stage, he wrote the music for the Ernst Toller play Transformation.

Popular music and film

When the theater impresario Max Reinhardt opened the satirical cabaret Sound And Smoke he became, with Friedrich Hollaender, one of its two main pianists. Later the film producer Erich Pommer introduced him to the UFA studio, where he wrote music that accompanied over a dozen silents, including Faust by F.W. Murnau and Spies by Fritz Lang.

When sound came in, the songs he wrote for the then popular musicals became hits and are the work for which he is most well known today.
Among these films is The Congress Dances, directed by Erik Charell with whom he would work again soon on Caravan in Hollywood, after he had to quickly leave his country, along with other artists, when the National Socialists took power in 1933.

The emigre German director Ernst Lubitsch got him to work on 5 of his classic American comedies. He also scored 2 films by another great comedy director, Preston Sturges. Heymann was an Academy Award nominee four times in the early 1940s.

Later years

After World War II, he returned to Germany where he wrote the music for a stage version of the classic film The Blue Angel in 1952, and was a member of the jury at the 10th Berlin International Film Festival.

His memoirs, recorded on tape during his last years, were published as an autobiography in Germany in 2001. He had once summed up his thoughts thus: "I love my wife, my child, the world, eating, drinking, smoking, driving. I love freedom. I hate dictatorship, godlessness, writing scores, wool next to my skin, and stones in my shoes. I hope for a United States of Europe." A documentary film about his career, So Wie Ein Wunder, featuring his daughter Elisabeth Trautwein, and directed by New German Cinema auteur Helma Sanders-Brahms, was shown on German television in 2012.

Partial filmography

  • The Wooing of Eve (1926)
  • Vienna - Berlin (1926)
  • The Man in the Fire (1926)
  • His Toughest Case (1926)
  • Maytime (1926)
  • A Sister of Six (1926)
  • The White Horse Inn (1926)
  • The Brothers Schellenberg (1926)
  • The Girl on a Swing (1926)
  • The Son of Hannibal (1926)
  • Napoléon (1927)
  • Valencia (1927)
  • A Modern Dubarry (1927)
  • My Aunt, Your Aunt (1927)
  • Aftermath (1927)
  • Eva and the Grasshopper (1927)
  • The Last Waltz (1927)
  • The Great Leap (1927)
  • Spione (1928)
  • Melody of the Heart (1929)
  • Waltz of Love (1930)
  • The Road to Paradise (1930)
  • The Three from the Filling Station (1930)
  • Der Kongreß tanzt (1931)
  • Captain Craddock (1931)
  • Her Grace Commands (1931)
  • Quick (1932)
  • Congress Dances (1932)
  • I by Day, You by Night (1932)
  • A Blonde Dream (1932)
  • Happy Ever After (1932)
  • The Victor (1932)
  • Adorable (1933)
  • Season in Cairo (1933)
  • Early to Bed (1933)
  • Caravan (1934)
  • Angel (1937)
  • Bluebeard's Eighth Wife (1938)
  • Ninotchka (1939)
  • The Shop Around the Corner (1940)
  • One Million B.C. (1940)
  • He Stayed for Breakfast (1940)
  • This Thing Called Love (1940)
  • She Knew All the Answers (1941)
  • Bedtime Story (1941)
  • That Uncertain Feeling (1941)
  • The Wife Takes a Flyer (1942)
  • Flight Lieutenant (1942)
  • To Be or Not to Be (1942)
  • Appointment in Berlin (1943)
  • Hail the Conquering Hero (1944)
  • Mademoiselle Fifi (1944)
  • It's in the Bag! (1945)
  • The Sin of Harold Diddlebock (1947)
  • A Heidelberg Romance (1951)
  • Alraune (1952)
  • The Three from the Filling Station (1955)
  • The Congress Dances (1955)
 El contenido de este artículo ha sido extraído de la Wikipedia en inglés bajo licencia Creative Commons.






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el 15/09/2018

El trovador mexicano Alejandro Filio acaba de lanzar su último disco Trova azul, un disco a guitarras y voz que hoy nos cuenta canción a canción.

Entrevista a Litto Nebbia (I)

por Manel Gausachs el 15/10/2018

Litto Nebbia actuó el pasado 18 de mayo en Barcelona dentro de una pequeña gira española de cuatro conciertos en pequeños locales. Aprovechamos la ocasión para hablar con él poco antes de cumplir los 70. En esta primera entrega de la entrevista, que publicamos en dos partes, hablamos con detalle de seis de los siete discos que ha publicado en estos últimos tres años. Seis obras de géneros muy diferentes que demuestran, una vez más, que Nebbia trasciende los límites del Rock y del relato juvenil que se le adjudicó en sus inicios. En la segunda entrega, que publicaremos próximamente, hablaremos de su faceta como productor, de su nueva autobiografía Mi banda sonora y de lo cerca y lejos que está a la vez entre sí todo el mundo hispánico de la música.



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