Oh yes, I was plenty lonesome and I never will forget
How the old folks shuffle past me - I can see their faces yet -
Eyes all red around the edges and a damp look deeper in
Eyes that's seen their share of troubles that we're always stumbling in.
Foreheads marked and cut with wrinkles like the plow tracks on a field
Cheeks sunk in against the bone lips that never can be sealed.
Hair as grey and splashed with silver as a moonlight winter's night
Faces - faces - faces - what a picture! What a sight!
Faces friendly like a mountain top that stands up in the sun
When the blank and rotten tenements melt into the filthy slum
Strong and hard but bony faces with a shine of high tanned leather
Faces that had laughed and loved, and cried in every kind of weather
Eyes that looked out of sockets, like a man looks out of jail -
Half a smile and half a sneer - half a love song and half a wail.
Necks and muscles hard as iron once, a little front ways stooped,
Shoulders that had carried whole worlds, just a little downward drooped.
Young heads bobbed along the tight crowd and bellowed out their noise
That roars just like a cyclone in the younger girls and boys:
Eyes that shot ahead like spot lights on the drifting stage below
Eyes that made my spirits brighter even now that I was low.
And I thought, I wondered - which of these
Can look upon the rest of us and say she's really pleased.
El músico argentino Milo J lanza La vida era más corta, un álbum doble donde se cruzan el folklore argentino y los sonidos urbanos contemporáneos, en una obra que reúne a varias generaciones y cuenta con colaboraciones destacadas como las de Mercedes Sosa y Silvio Rodríguez.
Miguel Poveda hizo suyo el Gran Teatre del Liceu de Barcelona —uno de los grandes Teatros de la Ópera del mundo— en su concierto Distinto del 15 de Octubre, en el marco de la edición de 2025 del "Festival Jazz Barcelona".