Come When I Call You
I’ll come when you call me.
I’ll call you at half-past one!
One’s for the pretty little baby that's
born, born, born and gone away.
Oh, will you come when I call you?
I’ll come when you call me.
I’ll call you at half-past two.
Two's for the love of me and you.
One's for the pretty little baby
that’s born, born, born and gone away.
Oh, will you come when I call you?
I’ll come when you call me.
I’ll call you at half-past three.
Three’s for these warships at sea.
Two's for the love of me and you.
One's for the pretty little baby
that’s born, born, born and gone away.
Will you come when I call you?
I’ll come when you call me.
I’ll call you at half-past four.
Four's for the guns of this war.
Three’s for these warships at sea.
Two's for the love of me and you.
One's for the pretty little baby
that’s born, born, born and gone away.
Oh, will you come when I call you?
I’ll come when you call me.
I’ll call you at half-past five.
Five's for these warplanes that fly.
Four's for the guns of this war.
Three’s for these warships at sea.
Two's for the love of me and you.
One's for the pretty little baby
that’s born, born, born and gone away.
Oh, will you come when I call you?
I’ll come when you call me.
I’ll call you at half-past six.
Six for the cities all wrecked.
Five's for these warplanes that fly.
Four's for the guns of this war.
Three’s for these warships at sea.
Two's for the love of me and you.
One's for the pretty little baby
that’s born, born, born and gone away.
Oh, will you come when I call you?
I’ll come when you call me.
I’ll call you at half-past seven.
Seven for continents blowed up.
Six for the cities all wrecked.
Five's for these warplanes that fly.
Four's for the guns of this war.
Three’s for these warships at sea.
Two's for the love of me an you.
One's for the pretty little baby
that’s born, born, born and gone away.
Oh, will you come when I call you?
I’ll come when you call me.
I’ll call you at half-past eight.
Eight for my eight billion graves.
Seven for continents blowed up.
Six for the cities all wrecked.
Five's for these warplanes that fly.
Four's for the guns of this war.
Three’s for these warships at sea.
Two's for the love of me and you.
One's for the pretty little baby
that’s born, born, born and gone away.
Oh, will you come when I call you?
I’ll come when you call me.
I'll call you at half-past nine.
Nine for the crippled and blind.
Eight for my eight billion graves.
Seven for continents blowed up.
Six for the cities all wrecked.
Five for these warplanes that fly.
Four for the guns of this war.
Three’s for these warships at sea.
Two's for the love of me and you.
One's for the pretty little baby
that’s born, born, born and gone away.
Oh, will you come when I call you?
I’ll come when you call me.
I’ll call you half-past ten.
Ten for the atom bomb loose again.
Nine for the crippled and blind.
Eight for my eight billion graves.
Seven for continents blowed up.
Six for the cities all wrecked.
Five's for these warplanes that fly.
Four's for the guns of this war.
Three’s for these warships at sea.
Two's for the love of me and you.
One's for the pretty little baby
that’s born, born, born and gone away.
(1949)
La argentina Maggie Cullen recaló en Barcelona el jueves 15 de octubre en la sala del Centre Artesà Tradicionàrius, dentro de su gira europea y en el marco de la programación del festival Empremtes. Ofreció una colección de clásicos argentinos y latinoamericanos son su mirada personal.
Medio siglo después de su histórica actuación de 1975 junto a Ovidi Montllor, Maria del Mar Bonet regresó al Olympia de París en un concierto compartido con Borja Penalba. Una noche que permitió recuperar la memoria de un escenario vinculado a la libertad durante el franquismo, pero también escuchar a una artista que continúa creando, grabando y defendiendo la canción como expresión cultural y compromiso con su tiempo.
Publicaba ayer el periodista musical Jordi Bianciotto, en El Periódico de Catalunya, un artículo sobre el fracaso del Feroe Festival, cuya segunda edición, impulsada por el periodista y promotor Albert Puig, se ha cancelado por la escasa venta de entradas.
El cantautor chileno Manuel García inició su gira española el 17 de octubre en el CAT de Barcelona con un concierto de más de dos horas, organizado en cuatro bloques que recorrieron su repertorio, sus raíces musicales y algunas de sus influencias. Una actuación especialmente cuidada, marcada también por la muerte de su padre tres días antes.
Enmarcado en el Festival Internacional de Jazz en Sevilla, el cantante y compositor Zenet ha presentado en diversos escenarios de esta provincia su nuevo espectáculo: Las manos y la voz, que también da nombre a su último disco, publicado a finales de 2025, un trabajo íntimo y muy personal en el que rinde homenaje a José Taboada, su guitarrista durante muchos años y compañero en la música, ya ausente.