Talking Centralia
I dig like a mole in a hole in the ground
When the sun comes up til the sun goes down
I don't see much sun when I'm down in the ground
Soft coal and hard coal and lead and zinc and all other kinds of hard stuff
It's a hard living.
Got up this morning in the same old way
Dropped my hot coffee to start off my day
My wife give me breakfast in her stocking feet
And I kissed the kids in bed and then I walked down the street
Just walking along watching the sun come up, I was just thinking and wondering
Wondering and thinking.
Centralia here is a pretty little town
You can see Illinois for miles around
Can't see too good with my eyes full of sleep, though
I'm gonna quit mining someday and I'm gonna sleep 'bout a week
Just solid sleep
Hard down, hard up
Good old warm sleep
Dream myself up a lot of pretty dreams
About pretty mine holes and pretty mine bosses
And pretty mine owners and pretty women all over the place
Most men don't talk what's eatin' on their minds
About different ways of dying down here in the mines
But every morning we walk along and joke
About the mines caving in, the dust and the smoke
And one little wild spark of fire
Blowing us sky high and crooked
One little spark blowing us cross-eyed and crazy
Up to shake hands with all the Lord's little angels
Well, I knock at the gate and stand and laugh
And the elevator man drops us down his shaft
We scatter and kneel and crawl different places
With fumes in our eyes and dust on our faces
Gas on our stomach and water on our kneecap,
Aches and pains and rheumatism, all kinds of crazy pictures flying through our heads
Well, a spark did hit us in the number five
I don't know if anybody ever did come out alive
I got carried out with a busted head
The lady said there's a hundred and eleven was dead
Well, this ain't my first explosion
I come through two cave-ins and two more fires before this one
Twenty-two dead down in Ohio and thirty-six I seen in Kentucky laid up
And a hundred and eleven here in Centralia
Well, it seems like the very best men go down
And don't come back in these mining towns
Keep on a-wondering how things would be
If a cave-in had come to the senator's seat
Or a big explosion of some kind was to go off up there in them Congress walls
Wonder what sort of words and messages that they'd write on their slates
Wonder if they'd hire anybody to come down to them Senate chambers and put in some safety devices,
Nine hundred dollars worth
Think there's just about enough loose gas around that Capitol dome up there, though
To make a mighty big blow if a spark ever hits it just right
Ayer falleció en el Hospital Josep Trueta de Girona el gestor cultural y poeta italiano Sergio Secondiano Sacchi (Milán, 1948), una de las mentes más brillantes y creativas vinculadas al histórico Club Tenco, institución fundamental en la defensa y promoción de la canción de autor.
El cantautor catalán Joan Manuel Serrat recibirá la máxima distinción académica de la UNCUYO en marzo, en una visita de tres días que incluirá un concierto homenaje con la Orquesta Sinfónica y un encuentro abierto con el público. La resolución destaca su compromiso con la libertad, la diversidad cultural y los derechos humanos.
La cantautora siciliana Carmen Consoli cantó ayer 22 de febrero en Paral·lel 62 de Barcelona dentro del Festival BarnaSants, en un concierto de doble estreno: la presentación en Barcelona de su nuevo disco Amuri Luci (Amor Luz) y su memorable encuentro en el escenario con la Orquestra de Músiques d’Arrel de Catalunya (OMAC).
Ya está disponible al completo Directo en Casa Astor (Ventilador Music, 2026), el nuevo EP en directo de Raquel Lúa. Se trata de un trabajo breve e íntimo, integrado por tres versiones grabadas en vivo a finales de 2025 en la Casa Astor de Barcelona, donde la artista ofreció una interpretación cercana y especialmente emotiva de tres de sus canciones más emblemáticas: Hache, Reguero de Luz y La Saeta.
El cantautor valenciano Raimon presenta Aquest jo que jo soc (Este yo que yo soy), una extensa biografía escrita por Miquel Alberola que recorre su trayectoria vital y artística desde la infancia en Xàtiva hasta su despedida de los escenarios en 2017. El volumen propone una mirada amplia y matizada sobre una figura esencial de la canción de autor europea.