To my brain that i don't know
(Raimon)
come known words,
vowels, consonants, hyphens
and exclamation marks;
colons, many comas and accents
which to say what I feel for you
I think don't help me at all,
don't help me at all.
In my brain that I don't know
I find images without words,
and all those fruit trees
that I haven't seen for so many years
start dancing happily;
over a sea of clean water
they walk leafy and beautiful,
leafy and beautiful.
In my brain that I don't know
sprinklers of honey open doors
to lively full moons,
that among orange and lemon trees
and peach and almond trees
go on chasing all the shadows
behind the pines and carob trees,
the pines and carob trees.
To my brain that I don't know
a great question is approaching,
that wants to embrace all the letters
that make up the word "Amor".
The letters change places
and make the word "Roma"
and laugh in complicity,
in complicity.
To my brain that I don't know
come the years that we have lived
together, loaded, overflowing with life;
and filled with desire, they make signs
to those which have not yet arrived,
telling them: come and look
how well we are,
well we are.
To my brain that I don't know
the other years we have not lived
draw nearer little by little;
they look somewhat disbelieving,
and don't see how they'll be able to live
as intensely as those,
and they believe that they are different,
that they are different.
To my brain that I don't know
like an explosion, flowers arrive
bringing their cleanest colours;
jasmines, roses and anemones,
dahlias, carnations and camellias,
geraniums, poppies, oleanders
and other flowers that I don't know,
that I don't know.
To my brain that I don't know
to all my body, you come smiling
and you tell me you love me, at the same
moment that I tell you I love you.
It's an unrepeatable moment
in which all the birds of the world,
suddenly, take flight,
take flight.
(1986)
Translated: Angela Buxton
La cantante, flautista y compositora catalana Magalí Sare presenta Descasada, un trabajo entre la investigación antropológica y la libertad musical. Sare se sitúa en una escena de mujeres altamente formadas que han redefinido la canción de autor contemporánea.
En Barcelona tenemos la suerte de poder disfrutar de una cada vez más numerosa comunidad de artistas argentinos que habitan la ciudad y que enriquecen nuestra vida cultural. Con pocos días de diferencia tres de ellos han presentado sus respectivos trabajos discográficos en diversos espacios: en una librería abierta a la música, en la sede de un extraordinario refugio asociativo de Sants y en el auditorio de una biblioteca histórica.
La última edición del BarnaSants, la primera dirigida por Marçal Girbau, ha reducido un 40% el número de conciertos pero ha aumentado un 33% la asistencia y la venta de entradas. Girbau, que ha valorado positivamente esta 31 edición en la rueda de prensa celebrada hoy en Barcelona, ha apostado por menos fechas, más peso artístico y producciones propias con recorrido. Y una vez más se ha reivindicado la creación del Ateneu de la Cançó.