Sweet october
(Raimon)
that slowly spread at random;
the birch, laurel, elm, ash, and chestnut
received their yellow, greens, ochres and reds.
A slight wind made the foliage move,
a soft sound filled the clear air,
a morbid light veiled the morning.
How can I forget that moment of beauty?
I remember well the distant murmur,
the brief track of city life,
the deceitful enclosure of human trade,
the silent cushion of that time and place.
I walked along enjoying the fine weather
quite in harmony with all my surroundings;
past and future were not present at all,
and the fleeting moment made my life full.
I heard voices almost at my side,
in the last part of a longer conversation.
-Come with me,
I won't do anything to you that you don't want.
-No.
-Why not?
-Because I don't know you well enough yet.
-It might be a way of knowing each other better.
Come with me.
I won't do anything to you that you don't want.
-I'm very young and I've got lots of time.
-But I haven't got time. Time has got me.
Come with me. Wherever you like.
With me.
-My hands find it pleasant
to caress your hair.
-That is already turning white.
-Your eyes have looks
of surprise and desire;
they are the looks of a boy.
-I'm twice your age.
-You kiss with strength and tenderness at the same time.
-Your breasts are small and full,
your skin is like a grape.
-You seem very clean
and I like the smell of your body.
You embrace me and I embrace you.
Here leaning against the trunk of a tree
we must look a strange couple.
-Come with me.
I won't do anything to you that you don't want.
-No, I don't know you well enough, I've told you.
It's getting late.
I have to go.
-Not yet. Stay.
-Goodbye.
-Goodbye, sweetness and youth.
Your eyes are the colour
that the morning sun keeps
among the highest branches of the trees.
-Goodbye, man.
-Goodbye, girl.
I couldn't, nor do I want to take my eyes away
from all the colours of the trees I've seen.
Beautiful song still not sung,
distant dance that's never been danced.
A long time ago there was a child
with wide open eyes and sharp ears;
this ingenuous and anxious child
lives within the body, the precarious body of a man.
Sweet October lit up the colours
that slowly spread at random;
the birch, laurel, elm, ash, and chestnut
received their yellow, greens, ochres and reds.
(1987)
Translated: Angela Buxton
A cinco años de su fallecimiento, el periodista Miguel Fernández publica Me va la vida en ello un retrato profundo y cercano de Luis Eduardo Aute, con testimonios inéditos de su entorno más próximo.
La cantante carioca Nana Caymmi, hija del legendario Dorival Caymmi y figura emblemática de la música popular brasileña, murió este martes a los 84 años tras varios meses de complicaciones de salud. Su carrera, profundamente ligada a la samba y al bolero, dejó una huella imborrable en el panorama musical del país.
El festival BarnaSants rinde homenaje al compositor griego, símbolo mediterráneo de lucha, la libertad y el antifascismo, con un gran recital que reúne a artistas de distintas disciplinas como Maria del Mar Bonet, Manolo García, Juan Valderrama, Kostas Triantafillidis o Manolis Andraoulidakis; y que pone en valor su obra musical y su compromiso político.
La cantautora chilena Magdalena Matthey combina en Instinto raíces latinoamericanas con sonoridades setenteras y cuenta con las colaboraciones destacadas de Natalia Lafourcade y Tata Barahona.
El cantautor chileno Nano Stern vuelve a Europa con Inventemos un país, una gira en la que presentará en el festival BarnaSants el disco grabado en homenaje a Víctor Jara y ofrecerá un repaso por las canciones más emblemáticas de su repertorio, junto a un homenaje a los grandes referentes de la canción popular chilena como Violeta Parra, Patricio Manns y el propio Jara.