There is a war
a war between the man and the woman.
There is a war between the ones who say there is a war
and the ones who say there isn't.
Why don't you come on back to the war, that's right, get in it,
why don't you come on back to the war, it's just beginning.
Well I live here with a woman and a child,
the situation makes me kind of nervous.
Yes, I rise up from her arms, she says "I guess you call this love";
I call it service.
Why don't you come on back to the war, don't be a tourist,
why don't you come on back to the war, before it hurts us,
why don't you come on back to the war, let's all get nervous.
You cannot stand what I've become,
you much prefer the gentleman I was before.
I was so easy to defeat, I was so easy to control,
I didn't even know there was a war.
Why don't you come on back to the war, don't be embarrassed,
why don't you come on back to the war, you can still get married.
There is a war between the rich and poor,
a war between the man and the woman.
There is a war between the left and right,
a war between the black and white,
a war between the odd and the even.
Why don't you come on back to the war, pick up your tiny burden,
why don't you come on back to the war, let's all get even,
why don't you come on back to the war, can't you hear me speaking?
La cantante, flautista y compositora catalana Magalí Sare presenta Descasada, un trabajo entre la investigación antropológica y la libertad musical. Sare se sitúa en una escena de mujeres altamente formadas que han redefinido la canción de autor contemporánea.
En Barcelona tenemos la suerte de poder disfrutar de una cada vez más numerosa comunidad de artistas argentinos que habitan la ciudad y que enriquecen nuestra vida cultural. Con pocos días de diferencia tres de ellos han presentado sus respectivos trabajos discográficos en diversos espacios: en una librería abierta a la música, en la sede de un extraordinario refugio asociativo de Sants y en el auditorio de una biblioteca histórica.
La última edición del BarnaSants, la primera dirigida por Marçal Girbau, ha reducido un 40% el número de conciertos pero ha aumentado un 33% la asistencia y la venta de entradas. Girbau, que ha valorado positivamente esta 31 edición en la rueda de prensa celebrada hoy en Barcelona, ha apostado por menos fechas, más peso artístico y producciones propias con recorrido. Y una vez más se ha reivindicado la creación del Ateneu de la Cançó.