Old Folks
How the old folks shuffle past me - I can see their faces yet -
Eyes all red around the edges and a damp look deeper in
Eyes that's seen their share of troubles that we're always stumbling in.
Foreheads marked and cut with wrinkles like the plow tracks on a field
Cheeks sunk in against the bone lips that never can be sealed.
Hair as grey and splashed with silver as a moonlight winter's night
Faces - faces - faces - what a picture! What a sight!
Faces friendly like a mountain top that stands up in the sun
When the blank and rotten tenements melt into the filthy slum
Strong and hard but bony faces with a shine of high tanned leather
Faces that had laughed and loved, and cried in every kind of weather
Eyes that looked out of sockets, like a man looks out of jail -
Half a smile and half a sneer - half a love song and half a wail.
Necks and muscles hard as iron once, a little front ways stooped,
Shoulders that had carried whole worlds, just a little downward drooped.
Young heads bobbed along the tight crowd and bellowed out their noise
That roars just like a cyclone in the younger girls and boys:
Eyes that shot ahead like spot lights on the drifting stage below
Eyes that made my spirits brighter even now that I was low.
And I thought, I wondered - which of these
Can look upon the rest of us and say she's really pleased.
Martirio llevó el pasado domingo 12 de abril al Auditori de Barcelona, en el marco del Ciclo de canción de autor BarnaSants, su espectáculo Al sur del tango, una propuesta que enlaza las raíces compartidas entre Argentina y España desde una interpretación que es tanto voz como gesto y emoción.
La cantante, flautista y compositora catalana Magalí Sare presenta Descasada, un trabajo entre la investigación antropológica y la libertad musical. Sare se sitúa en una escena de mujeres altamente formadas que han redefinido la canción de autor contemporánea.
La última edición del BarnaSants, la primera dirigida por Marçal Girbau, ha reducido un 40% el número de conciertos pero ha aumentado un 33% la asistencia y la venta de entradas. Girbau, que ha valorado positivamente esta 31 edición en la rueda de prensa celebrada hoy en Barcelona, ha apostado por menos fechas, más peso artístico y producciones propias con recorrido. Y una vez más se ha reivindicado la creación del Ateneu de la Cançó.