Mirror
(Jaume Roig - Raimon)
probably in València
at the beginning of the fifteenth
century. It's known for sure
that he died on a Saturday
the fourth day of the month of April,
in the year fourteen seventy-
eight, in this city.
He studied "Medicine
and Arts" in the city of Lleida
at the university
and at the Sorbonne, Paris.
He was famous as a doctor,
an examiner of doctors
and Councillor of València.
He's gone down in history
as the author of a novel
which he entitled Mirror
written entirely in verse.
Mirror is an important work,
of obvious misogyny,
more quoted than read,
of over sixteen thousand verses
of which I'll relate to you
ninety-seven. Those needed
to tell you a story
both terrible and horrifying,
of a restaurant in Paris
where human flesh was served,
well cooked, according to the author:
Moreover, that year,
in the new world,
something strange
took place
on New Year's Day.
Being the marshal knight of the joust,
I invited
all of the knights
who had jousted there
to have supper
and a good time.
There we had
all sorts of dishes;
of wild animal meat,
poultry,
the most wonderful
pastries,
the most famous
of all Paris.
In one pie,
chopped up, ground,
the tip of a man's finger
was found.
The one who knew him
was very upset;
he realised
he would find in it
more things; there was
a piece of an ear.
We thought it was beef
that we were eating,
until we found
the nail and a piece
of a finger half cut up.
We all looked,
and decided
it was really human flesh.
The pastry cook,
with two helpers,
her grown-up daughters,
was both baker
and tavern-keeper;
of the ones who came
there to drink
they killed some;
of the chopped up flesh
they made pies,
and of the bowels
they made sausages
or salami, that were
the finest in the world.
The mother and the girls
sold as many
as ever they made,
and if there weren't enough
they killed
a few cattle:
and they covered
all their meat
with the finest sauces
which they would taste.
These false women
in a soft pit,
as deep as a well,
removed flesh from bones,
legs and torsos,
and put them in there;
and so they filled it
the daring females,
cruel and depraved,
pagan, wicked
and wretched,
abominable!
Certainly, the demons,
as they killed them,
helped them, I think,
as did the devil.
I bear witness
that I ate quite enough:
never meat nor broth,
partridges, chickens,
nor francolins
of such taste,
tenderness, sweetness
I've ever eaten.
But in the morning,
all three of them
they cut into quarters;
and their inn
they pulled down
and flattened,
they scattered salt there;
and all the bodies,
cut up in pieces,
(they counted a hundred)
they buried
in sacred ground.
(2000)
Translated: Angela Buxton
Joan Manuel Serrat acompañará a Jofre Bardagí en la puesta de largo de Jofre Bardagí interpreta Serrat, un proyecto que revisita el cancionero de Serrat desde una mirada contemporánea y profundamente personal, y que conecta memoria familiar, legado musical y presente creativo.
El cantautor cubano Silvio Rodríguez dio a conocer en el Hay Festival de Cartagena de Indias (Colombia) Silvio Rodríguez, diario de un trovador, un libro que reúne textos inéditos de su cuaderno personal en diálogo con 143 fotografías del argentino Daniel Mordzinski, fruto de más de dos décadas de encuentros, viajes y trabajo compartido.
El Secreto de los Arbustos, estrenado en noviembre pasado, surge del encuentro entre la cantautora chilena Pascuala Ilabaca y la orquesta SdC Big Band, y articula once composiciones que dialogan con realidades sociales, emocionales y políticas desde una sonoridad abierta y colectiva.
La cantante Rosa León publica Como la cigarra, el primer avance de Cartas de amor a María Elena Walsh, un proyecto producido por Alejo Stivel que reivindica la obra adulta de la creadora argentina desde el respeto, la admiración y la fidelidad a su espíritu.
Tras dos años de silencio discográfico, la banda valenciana El Diluvi regresa con Cantem per tu (Cantamos por ti), una canción que reivindica la tradición, la cultura y la memoria compartida como motores de futuro. No se trata de un retorno al uso: es la reaparición de una voz que, en realidad, nunca se apagó, y que vuelve a alzarse desde lo colectivo, lo popular y lo comprometido.