Mirror
(Jaume Roig - Raimon)
probably in València
at the beginning of the fifteenth
century. It's known for sure
that he died on a Saturday
the fourth day of the month of April,
in the year fourteen seventy-
eight, in this city.
He studied "Medicine
and Arts" in the city of Lleida
at the university
and at the Sorbonne, Paris.
He was famous as a doctor,
an examiner of doctors
and Councillor of València.
He's gone down in history
as the author of a novel
which he entitled Mirror
written entirely in verse.
Mirror is an important work,
of obvious misogyny,
more quoted than read,
of over sixteen thousand verses
of which I'll relate to you
ninety-seven. Those needed
to tell you a story
both terrible and horrifying,
of a restaurant in Paris
where human flesh was served,
well cooked, according to the author:
Moreover, that year,
in the new world,
something strange
took place
on New Year's Day.
Being the marshal knight of the joust,
I invited
all of the knights
who had jousted there
to have supper
and a good time.
There we had
all sorts of dishes;
of wild animal meat,
poultry,
the most wonderful
pastries,
the most famous
of all Paris.
In one pie,
chopped up, ground,
the tip of a man's finger
was found.
The one who knew him
was very upset;
he realised
he would find in it
more things; there was
a piece of an ear.
We thought it was beef
that we were eating,
until we found
the nail and a piece
of a finger half cut up.
We all looked,
and decided
it was really human flesh.
The pastry cook,
with two helpers,
her grown-up daughters,
was both baker
and tavern-keeper;
of the ones who came
there to drink
they killed some;
of the chopped up flesh
they made pies,
and of the bowels
they made sausages
or salami, that were
the finest in the world.
The mother and the girls
sold as many
as ever they made,
and if there weren't enough
they killed
a few cattle:
and they covered
all their meat
with the finest sauces
which they would taste.
These false women
in a soft pit,
as deep as a well,
removed flesh from bones,
legs and torsos,
and put them in there;
and so they filled it
the daring females,
cruel and depraved,
pagan, wicked
and wretched,
abominable!
Certainly, the demons,
as they killed them,
helped them, I think,
as did the devil.
I bear witness
that I ate quite enough:
never meat nor broth,
partridges, chickens,
nor francolins
of such taste,
tenderness, sweetness
I've ever eaten.
But in the morning,
all three of them
they cut into quarters;
and their inn
they pulled down
and flattened,
they scattered salt there;
and all the bodies,
cut up in pieces,
(they counted a hundred)
they buried
in sacred ground.
(2000)
Translated: Angela Buxton
Una carta abierta impulsada desde el entorno del BarnaSants reclama la creación del Ateneu de la Cançó en Barcelona, un espacio dedicado a preservar y dinamizar la canción de autor. La iniciativa cuenta con el respaldo de seis de los ocho exresponsables de Cultura de la Generalitat en las últimas dos décadas, abriendo algunas preguntas que van más allá de la música.
Ayer sábado, el Teatre Principal de Inca (Mallorca) se convirtió en el escenario de "60 anys de l’amor perdut", un emotivo concierto homenaje organizado por el festival BarnaSants para honrar la figura de Joan Ramon Bonet el undécimo integrante de Els Setze Jutges, coincidiendo con las seis décadas de su breve pero influyente trayectoria musical.
El cantautor valenciano Feliu Ventura presentó el 12 de marzo en la sala Paral·lel 62 de Barcelona su nuevo disco Tot el que hem guanyat perdent (Todo lo que hemos ganado perdiendo), en un concierto dentro del Festival BarnaSants marcado por una sonoridad más rockera y electrónica de lo habitual. Acompañado por una formación en formato power trío con teclado y una escenografía minimalista, Ventura defendió las siete canciones del nuevo trabajo junto a piezas emblemáticas de su repertorio.
Los cuatro referentes de la música chilena compartirán escenario el próximo 25 de abril en el Parque Estadio Nacional en la primera edición del festival Canción Nacional. El encuentro reunirá a figuras clave de la Nueva Canción Chilena y el Canto Nuevo en una cita concebida como acto de memoria colectiva y celebración.
La cantautora catalana Judit Neddermann presenta Llibert, un tema dedicado a su abuelo fallecido hace dos años, en el que reflexiona sobre la vida y la muerte como un ciclo continuo. La canción, publicada en la misma fecha de su muerte, se acompaña de un videoclip rodado en espacios significativos para su memoria familiar.